WRITING QUOTES XXIII

quotations about writing

In the very act of writing I felt pleased with what I did. There was the pleasure of having words come to me, and the pleasure of ordering them, re-ordering them, weighing one against another. Pleasure also in the imagination of the story, the feeling that it could mean something. Mostly I was glad to find out that I could write at all. In writing you work toward a result you won't see for years, and can't be sure you'll ever see. It takes stamina and self-mastery and faith. It demands those things of you, then gives them back with a little extra, a surprise to keep you coming. It toughens you and clears your head. I could feel it happening. I was saving my life with every word I wrote, and I knew it.

TOBIAS WOLFF

In Pharaoh's Army


To leave the reader free to decide what your work means, that's the real art; it makes the work inexhaustible.

URSULA K. LE GUIN

The Guardian, December 17, 2005

Tags: Ursula K. Le Guin


Getting even is one great reason for writing.... But getting even isn't necessarily vicious. There are two ways of getting even: one is destructive and the other is restorative. It depends on how the scales are weighted.

WILLIAM H. GASS

The Paris Review, summer 1977


Many great writers address audiences who do not exist; to address passionately and sometimes with very great wisdom people who do not exist has this advantage--that there will always be a group of people who, seeing a man shouting apparently at somebody or other, and seeing nobody else in sight, will think it is they who are being addressed.

WYNDHAM LEWIS

The Art of Being Ruled

Tags: Wyndham Lewis


I don't know where the characters are going to go or what's going to happen. I know that something inevitable will happen. I know that they want certain things and they're in a certain room and they smell like this and they look like that. More often than not, an entropy creeps in that strangles me, and then the inevitable happens. I don't know if I have the ability to write an ending like My Fair Lady's, when everyone gets what they want after a few minor conflicts. If I tried to write that it would just be false. Or I'd have someone enter with a machine gun.

ADAM RAPP

interview, Bomb Magazine, spring 2006


Show people your stuff, listen carefully to their responses, but ultimately don't value anyone's opinion above your own. Be influenced by writers you dislike as well as writers you like. Read their stuff to figure out what's wrong. Find a balance between the confidence that allows you continue, and the self-critical facility that enables you to improve. Get the balance wrong on either side, and you're screwed.

ALEX GARLAND

interview with Dennis Widmyer, July 30, 2007

Tags: Alex Garland


As for the story, whether the poet takes it ready made or constructs it for himself, he should first sketch its general outline, and then fill in the episodes and amplify in detail.

ARISTOTLE

Poetics

Tags: Aristotle


It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.

CHINUA ACHEBE

interview, Okike, 1990

Tags: Chinua Achebe


There is a realm of possible knowledge which can be reached by artists, which is not susceptible of mathematical verification but which is true. This is sometimes spoken as the ineffable. If there is any word I detest in the language, this would be it, but the fact that it exists, the word ineffable, is suspicious in that it suggests that there might be something that is ineffable. And I believe that that's the place artists are trying to get to, and I further believe that when they are successful, they reach it.

DONALD BARTHELME

"A Symposium of Fiction"


Writers, especially when they act in a body and with one direction, have great influence on the public mind.

EDMUND BURKE

Reflections on the Revolution in France

Tags: Edmund Burke


The responsibility of the writer is to be a sort of demonic social critic -- to present the world and people in it as he sees it and say, "Do you like it? If you don't like it, change it."

EDWARD ALBEE

interview with Digby Diehl, 1963


Remember that in today's market, distribution and promotion are as important as craft. But don't forget what made you want to write fiction. If it was for the money, you're in the wrong business!

ELIZABETH ZELVIN

interview, Book Browsing, July 26, 2012

Tags: Elizabeth Zelvin


It is because we have had such great writers in the past that a writer is driven far out past where he can go, out to where no one can help him.

ERNEST HEMINGWAY

Nobel Prize speech, December 10, 1954


Journalism is a good place for any writer to start -- the retailing of fact is always a useful trade and can it help you learn to appreciate the declarative sentence. A young writer is easily tempted by the allusive and ethereal and ironic and reflective, but the declarative is at the bottom of most good writing.

GARRISON KEILLOR

"Post to the Host", July 2005


You do have a leash, finally, as a writer. You're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays--to allow the thing to be free but still hold the final leash.

HAROLD PINTER

The Progressive, March 2001

Tags: Harold Pinter


The trouble with writing fiction is that it has to make sense, whereas real life doesn't. It's incredibly annoying for us scribblers.

IAIN M. BANKS

"Iain Banks: The Final Interview", The Guardian, June 14, 2013

Tags: Iain M. Banks


Without a pen in my hand I can't think.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997

Tags: John le Carré


In the end, the secret of writing is to be a tortoise, not a hare.

JONATHAN KELLERMAN

"Novelist explains how psychology training honed his writing", USC News, February 25, 2016


The less attention I pay to what people want and the more attention I pay to just writing the book I want to write, the better I do.

LAWRENCE BLOCK

Newsweek, July 13, 2009

Tags: Lawrence Block


I think that as a writer your responsibility is to search for and stir up the things that are in this world. There is violence in all of us, and beauty, and strength, and weakness. What's my job? To only write about the good and the beauty, or is it to write about all of it? That's my greater responsibility, to write about them as I see them and as they are.

MARKUS ZUSAK

"On Top of His Game: SLJ Interviews Margaret A. Edwards Award Winner Markus Zusak", School Library Journal, June 2, 2014

Tags: Markus Zusak