quotations about writing
Fundamentally, all writing is about the same thing. It's about dying, about the brief flicker of time we have here, and the frustration it creates.
MORDECAI RICHLER
attributed, Mordecai & Me
Even though language has its richness the relationship between language and the writer is always like a stone and you have to make the stone human.
CARMEN BOULLOSA
Journal of Latin American Cultural Studies, Vol. 4, No. 2, 1995
When I started out I just wanted to write books. I still do. It's the best job in the world for so many reasons. I wanted the thrill of seeing my books on the shelves in bookstores. I still do. The idea of someone reading my work, enjoying it was just amazing--and it still is. The bar rises, and that's a good thing. It pushes us to write smarter, write better, to dig deeper creatively. The bestseller lists, the awards, the sales or movies, they're all really delicious icing. But the work--the stories, the books--that's the cake. Too much icing without a really good, solid cake? It's going to make you fat, lazy and maybe a little bit sick. It's always about the cake first.
NORA ROBERTS
interview, inReads, October 5, 2011
Writing can't be a way of life -- the important part of writing is living. You have to live in such a way that your writing emerges from it.
DORIS LESSING
Doris Lessing: Conversations
You simply keep putting down one damn word after the other, as you hear them, as they come to you. You can either set brick as a laborer or as an artist.
ANNE LAMOTT
Bird by Bird
Most writers -- poets in especial -- prefer having it understood that they compose by a species of fine frenzy -- an ecstatic intuition -- and would positively shudder at letting the public take a peep behind the scenes, at the elaborate and vacillating crudities of thought -- at the true purposes seized only at the last moment -- at the innumerable glimpses of idea that arrived not at the maturity of full view -- at the fully matured fancies discarded in despair as unmanageable -- at the cautious selections and rejections -- at the painful erasures and interpolations -- in a word, at the wheels and pinions -- the tackle for scene-shifting -- the step-ladders and demon-traps -- the cock's feathers, the red paint and the black patches, which, in ninety-nine cases out of the hundred, constitute the properties of the literary histrio.
EDGAR ALLAN POE
"The Philosophy of Composition"
I don't actually talk about my books much, because I find if I talk about them I don't want to write them anymore. I write to find out what happens. You know how you read a book? That's what I'm doing except I'm just doing it a lot slower because it takes a lot longer to do.
CHARLES DE LINT
"Music and Myth: A Conversation with Charles de Lint", The Internet Review of Science Fiction
Rejection has value. It teaches us when our work or our skillset is not good enough and must be made better. This is a powerful revelation, like the burning UFO wheel seen by the prophet Ezekiel, or like the McRib sandwich shaped like the Virgin Mary seen by the prophet Steve Jenkins. Rejection refines us. Those who fall prey to its enervating soul-sucking tentacles are doomed. Those who persist past it are survivors. Best ask yourself the question: what kind of writer are you? The kind who survives? Or the kind who gets asphyxiated by the tentacles of woe?
CHUCK WENDIG
"25 Things Writers Should Know About Rejection", Terrible Minds
Writing is always a rough translation from wordlessness into words.
CHARLES SIMIC
attributed, Stealing Glimpses: Of Poetry, Poets, and Things in Between
I write because I've always written, can't stop. I am a writing animal. The way a silk worm is a silk-producing animal.
DORIS LESSING
attributed, Shoptalk: Learning to Write with Writers
Why write it? I thought it would earn me money.
ROBERT REED
interview, Fantasy & Science Fiction, December 18, 2012
A day in which I don't write leaves a taste of ashes.
SIMONE DE BEAUVOIR
attributed, Writers on Writing
I've heard writers talk about "discovering a voice," but for me that wasn't a problem. There were so many voices that I didn't know where to start.
SAM SHEPARD
The Paris Review
I would be a liar, a hypocrite, or a fool--and I'm not any of those--to say that I don't write for the reader. I do. But for the reader who hears, who really will work at it, going behind what I seem to say. So I write for myself and that reader who will pay the dues.
MAYA ANGELOU
The Paris Review, fall 1990
I decided very early that I wanted to write. But I didn't think of it as a career. I didn't even think of it as a profession.... It was the most exciting thing, the most powerful thing, the most wonderful thing to do with my life. And I didn't question if I should -- I just kept sharpening the pencils!
MARY OLIVER
The Christian Science Monitor, December 9, 1992
I think writing for me has always been a matter of fear. Writing is fear and not writing is fear. I am afraid of writing and then I'm afraid of not writing.
FRAN LEBOWITZ
"In Conversation: Fran Lebowitz with Phong Bui", The Brooklyn Rail, March 4, 2014
Every author has the whole past to contend with; all the centuries are upon him. He is compared with Homer, Dante, Shakespeare, Milton.
HENRY WADSWORTH LONGFELLOW
Table-Talk
I've discovered that rejections are not altogether a bad thing. They teach a writer to rely on his own judgment and to say in his heart of hearts, "To hell with you."
SAUL BELLOW
attributed, Putting Your Passion Into Print
In the past, the virtue of women's writing often lay in its divine spontaneity ... But it was also, and much more often, chattering and garrulous ... In future, granted time and books and a little space in the house for herself, literature will become for women, as for men, an art to be studied. Women's gift will be trained and strengthened. The novel will cease to be the dumping-ground for the personal emotions. It will become, more than at present, a work of art like any other, and its resources and its limitations will be explored.
VIRGINIA WOOLF
"Women and Fiction", Granite and Rainbow
You become a serious novelist by living long enough.
DON DELILLO
Conversations with Don DeLillo